Screenplay by:
GENE RODDENBERRY & HAROLD LIVINGSTONE
Story by:
ALAN DEAN FOSTER & GENE RODDENBERRY
SHOOTING SCRIPT
July 19, 1978
FADE IN :
1 EXT SPACE (S) 1
An ever expanding infinity of light and color as CAMERA
TRAVELS THROUGH deep space, MOVING DIRECTLY for one
pinpoint of light: a STAR GROWING RAPIDLY as we SWEEP
TOWARD IT, a normal white star SUDDENLY CHANGING,
brightening, flaring unbelievable intensity: supernova.
The CAMERA HOLDS just a moment, then MOVES on, SEARCH-
ING through space, the jeweled beauty of other star
systems, sparkling nebulae, swirling hydrogen clouds.
STILL MOVING, then CAMERA FINDS:
2 EXT. AREA OF LUMINESCENCE (S) 2
In the far distance, slowly growing in size as CAMERA
APPROACHES: it resembles, vaguely at this distance, an
Aurora Borealis: flaring colors from the fringes,
beautiful yet ominous. It is so large, this Cloud, it
can envelope an entire solar system. CAMERA CONTINUES
APPROACHING the Cloud, and then suddenly, crossing
our POV, a:
3 KLINGON HEAVY CRUISER (S) 3
In a graceful, turning arc toward the mysterious
LUMINESCENCE. CAMERA FOLLOWS this Klingon, then FINDS
a second Klingon cruiser, also turning toward the Cloud,
which continues to grow in size as the Klingons
approach at warp speed, CAMERA CLOSING on the lead
ship, until the vessel's detail can be clearly MADE
OUT: lights, weaponry, power systems, identification
emblazoned on the nacelles and saucer in Klingon
language (and symbols).
4 INT. KLINGON CRUISER BRIDGE (O) 4
Clearly alien, an ODD-SOUNDING KLAXON signaling
"battle stations." Orders issued in KLINGON LANGUAGE,
the KLINGON CAPTAIN and EXEC peering at an unusual
bridge viewer at the huge area of LUMINESCENT HAZE
directly ahead. In KLINGON DIALOGUE:
KLINGON CAPTAIN
(Give me tactical.)
5 CLOSE - MAIN VIEWER (O) 5
goes suddenly to a TACTICAL GRID SYSTEM, showing the
LUMINESCENT HAZE to be an ENORMOUS BLIP OF LIGHT ON
THE SCREEN, with two TINY PINPRICKS OF LIGHT complete-
ing their turn on a direct course toward it.
6 EXT. SPACE - THE KLINGON PATROL AND THE HAZE (S) 6
The Patrol is clearly SEEN now on the right of the
bottom of the FRAME... THREE tiny ships closing on the
steadily growing LUMINESCENT HAZE.
7 INT. THE KLINGON BRIDGE - CAPTAIN AND EXEC (O) 7
All eyes on the viewer that shows the ships sweeping
on the Mysterious cloud.
KLINGON CAPTAIN
(In Klingonese)
Visual.
The TECHNICIAN makes the switch.
8 CLOSE - VIEW SCREEN - LUMINESCENT HAZE (O) 8
growing ever larger, its flaring colors menacing,
mysterious, strangely beckoning.
9 INT. BRIDGE - KLINGON COMMAND CRUISER 9
The crew stands by for battle.
KLINGON CAPTAIN
(In Klingonese)
Tactical again. Stand by on
torpedoes.
10 EAT SPACE - LEAD KLINGON VESSEL (TORPEDO HATCH) (S) 10
sliding open, the glowing "Hell Fire" of the Photon
Launch tubes, slowly revealed.
11 VERY WIDE ANGLE - THE THREE SHIPS (S) 11
They are tiny, insect-like shapes moving still CLOSER
to the Luminescent Cloud, so large now that it begins
to dominate all space behind.
12 INT. KLINGON BRIDGE - TACTICAL GRID - CAPTAIN AND 12
EXEC (O)
The growing nearness and enormous size of the Cloud
also reflected on the Tactical Grid, somehow more
awesome by this schematic view. The Captain gestures
the order to "FIRE."
13 EXT. SPACE - ANGLE ON KLINGON VESSEL - TORPEDO HATCH (S) 13
The BRILLIANT PHOTON BLOBS of the torpedoes spurt from
the tubes.
14 ANGLE ON KLINGON VESSEL (S) 14
A deadly PHOTON TORPEDO pattern racing away from the
Klingon and toward the Luminescent glow in the distance.
15 INT. KLINGON BRIDGE - TACTICAL GRID (O) 15
Three torpedoes are heading directly toward the Cloud.
Suddenly they glow briefly and disappear long before
they reach their intended target.
16 INT. KLINGON BRIDGE - CAPTAIN AND EXEC 16
incredulous that their torpedoes have disappeared
without a trace.
17 EXT SPACE - THE CLOUD - THREE KLINGON SHIPS (S) 17
as the second and third ships launch torpedoes toward
the color-flaring surface of the cloud. This time we
have an outside, real VIEW of the torpedoes glowing
brightly and then disappearing with no effect.
18 INT. KLINGON BRIDGE (O) 18
The Klingon crew grim, desperate, watching a BRIGHT
STACCATO BLIP OF POWER from within the LUMINESCENCE.
KLINGON CAPTAIN
(quickly; Klingonese)
Full force fields; evasive
maneuvers.
19 EAT SPACE - THE CLOUD - THE KLINGON PATROLS (S) 19
Out of the LUMINESCENCE hurtles a FRIGHTENING WHIPLASH
OF ENERGY. It bears down on the Klingon Patrol, now
in an evasive maneuver. Then the WHIPLASH BOLT hits
the third cruiser in a writhing flare of energy which
totally engulfs the vessel.
The other two ships veer off, warping around again into
attack position. The THIRD SHIP has begun to implode
in on itself, the matter-energy of its existence
drained by the WHIPLASH BOLT that HOLDS IT.
20 ANGLE ON REMAINING KLINGON CRUISERS (S) 20
desperately defending themselves, FORCE FIELDS FULL UP,
RAPIDLY FIRING PHOTON TORPEDOES. But now a SECOND
WHIPLASH ENERGY BOLT has emerged from the cloud and
hits the second vessel, DESTROYING it.
The THIRD WHIPLASH BOLT glances off the surviving
Cruiser as the ship retreats in a wide, evasive turn,
FIRING from stern tubes.
21 INT. KLINGON BRIDGE 21
The bridge shattered; Klingon bodies. The mortally-
wounded Captain is transmitting urgently:
KLINGON CAPTAIN
(In Klingonese)
... severely damaged. Returning
fire...
22 EXT. SPACE - STARFLEET MONITOR STATION EPSILON 9 (S) 22
Serenity here. A barren, rocky small plantoid softly
lit by the myriad stars. This is a small Starfleet
outpost, antennae sprouting everywhere. Tiny figures
(WORKERS) servicing one antenna illustrate the size
of the installation.
23 INT. EPSILON 9 - MONITOR ROOM - A VIEWER (O) 23
SHOWING the battle scene, and the VOICE OF THE KLINGON
CAPTAIN in his last stand against the Object; his VOICE
is weary, almost mechanical. On the adjacent viewer,
an English printout of the Klingon's words chatters
along the bottom of the picture:
KLINGON CAPTAIN
(In Klingonese)
Imperial Klingon Cruiser Amar...
severely damaged by unfamiliar
weaponry... intruder unidentified..
24 WIDER ANGLE - EPSILON 9 STARFLEET PERSONNEL AND VIEWER (O) 24
At the viewers are a FEMALE LIEUTENANT and FOUR TECH-
NICIANS. COMMANDER BRANCH, a young, alert, enters hur-
riedly, scans he console.
LIEUTENANT
Our sensor drone is intercepting
this on Quad L-14.
KLINGON CAPTAIN (V.O.)
... believe luminescent cloud
to be enormous power field
surrounding alien vessel...
size and description unknown..
our sensor scans unable to
penetrate. Imperial Klingon
Cruiser Amar... continuing
to attack.
BRANCH
That's within Klingon boundaries.
Who are they fighting?
LIEUTENANT
Unknown, sir.
A violent EXPLOSION inside the Klingon bridge -- Klingon
Captain's body is thrown violently against the bulkhead.
TECHNICIAN
I have an exterior visual!
25 CLOSE ON VIEWER (O) 25
showing EXTERIOR of the Klingon vessel: a final,
frightening WHIPLASH ENERGY BOLT strikes it -- then
the same awesome IMPLOSION INTO FIREBALL.
26 WIDER ANGLE - PERSONNEL AND VIEWER (O) 26
The Starfleet station onlookers react to the utter
annihilation of the huge cruiser. And now, past where
the cruiser just disappeared -- the mysterious LUMINES-
CENCE approaching in distance. Technician hits a
switch, magnifying the strange CLOUD.
LIEUTENANT
We've plotted a course on that
cloud, Commander: it will pass
into Federation Space fairly
close to us.
BRANCH
Heading?
27 CLOSE ON THE MAIN MONITOR STATION (O) 27
as its focal point shifts to the huge elliptically-
shaped LUMINESCENCE racing across the sky. MUSIC
(V'GER THEME) COMMENCES in a low, unresolved CHORD
that remains in the background through the remainder
of this scene, and the beginning of the next one.
LIEUTENANT'S VOICE
Sir, it's on a precise heading
for Earth.
Ominously now the LUMINESCENCE increases in size, and
begins to fill the viewer. HOLD A MOMENT, and then:
28 EXT. SURFACE OF PLANET VULCAN - DAY (M) 28
with the CAMERA MOVING THROUGH masses of thick, steamy
vaporous clouds, swirling about, rising boilingly up
from some unseen, underground source. The CAMERA
CONTINUES MOVING through clouds.
And then... the Vulcan landscape. Harsh, strange
angular peaks and rock formations -- the barren, legend-
ary mountain home of Vulcan Masters.
29 EXT. VULCAN LEDGE - SPOCK ( M & F.P.) 29
Spock's lean features instantly recognizable despite
unkempt, longer hair and the fatigue born of a long,
harsh discipline he has undergone. His robes, tattered
and dust covered, are that of a Vulcan Aspirant in
study with the Masters. Under the V'ger THEME MUSIC
we HEAR a VOICE in ritual tones:
FEMALE MASTER'S VOICE
Spock, son of Sarek of Vulcan...
and of Amanda of Earth...
diligently you have labored for
purification of mind...
30 REVERSE ANGLE - SPOCK, VULCAN MASTERS AND RUINS 30
In b.g., gigantic ancient Vulcan statues and ruins. In f.g.,
the stone platform on which Spock stands facing a semi-circle
of three similar platforms. On them in regal robes are three
VULCAN MASTERS. The Master in the center is a female, the
other two Masters are male. The elderly female is holding a
cord and ancient pendant as if ready to place it around
Spock's neck at an appropriate moment. Spock is staring up
as V'ger THEME MUSIC fades.
MALE MASTER
(chidingly)
Spock . . . !
Spock turns, giving a small contrite nod -- the ritual
continues.
FEMALE MASTER
Here are these sands, our fore-
bearers cast out their animal
passions. Here our race was
saved by the first attainment of
Kolinahr.
MALE MASTER
Kolinahr: the final shedding of
all emotion.
FEMALE MASTER
You have labored long, Spock.
Now receive from us this symbol
of total logic.
Spock starts to kneel... the Female Master moves in,
intending to put the ancient pendant around his neck.
But Spock now hesitates -- he's troubled as though
uncertain he deserves this symbol and waves the
pendant away. Then, a faint reprise of the V'ger THEME
MUSIC now causes the Female Master to look skyward.
She turns from this back to Spock as she exchanges a
look with the Male Masters.
FEMALE MASTER
(gestures Spock forward)
Come, give me your thoughts.
She kneels with Spock -- lays her hands on his temples
in Vulcan mind-meld position.
FEMALE MASTER
(continuing)
Our minds, Spock... One and
together....
Their eyes close -- their minds meld -- then her head
jerks slightly, her features change as her mind feels
Spock's reactions to the V'ger consciousness. A long
moment, then she opens her eyes, gets to her feet and
looks down on the still kneeling Spock. Then, she
casts aside the pendant she carries -- it falls into
the dust.
FEMALE MASTER
(continuing; sadly)
This consciousness which calls --
it stirs your human half, Spock?
You have not achieved Kolinahr --
Your human emotions are not fully
extinguished.
(turns to the other Masters)
He will not achieve his goal with
us. His answer lies elsewhere.
The three Masters leave -- Spock watches them go, his
disappointment evident even in his stoic features.
31 MED. ANGLE ON SPOCK (M. & F.P.) 31
CAMERA CLOSES IN on his face as we again HEAR a frag-
ment of V'ger THEME MUSIC -- Spock again raises his
head and peers up into the heavens. HOLD on his face
a moment, then...
SHOCK CUT TO :
32 EXT. EARTH - AN AIR TRAM - DAY (S) 32
gleaming silver in the sun as it streaks TOWARD THE
CAMERA POSITION and hurtles PAST.
33 EXT. SAN FRANCISCO - HILLTOP AIR TRAM STATION - 33
DAY (M)
From this vantage, we can SEE all of twenty-third
century San Francisco stretched out before us. In
the b.g., the familiar forms of the carefully preserved
Golden Gate Bridge and Transamerica Pyramid Building
serve as our only reminders that this is, indeed, San
Francisco.
The AIR TRAM (an anti-gravitational train flying
several feet above the ground) DECELERATES sharply,
settles to the ground with a whisper.
34 EXT. TRAM STATION - CLOSE ON TRAM DOORS - DAY 34
The doors opening, and various TRAVELERS (civilians
and Starfleet personnel) leaving the tram, striding
onto the platform, continuing on their respective
ways. Among the departing throng:
35 KIRK 35
in Admiral's uniform, grim, determined, moving through
the throng. Now and then Starfleet officers nod re-
spectfully; KIRK responds with detached formality; his
mind is clearly set on something he is resolved to ac-
complish here in headquarters -- whatever the cost.
CAMERA WITH HIM, to:
36 INT. AIR TRAM STATION - DAY ` 36
as Kirk strides into the graceful Starfleet HQ building.
Many PEOPLE are about, civilians and uniformed person-
nel; most of them with some air of urgency. (NOTE:
ALIENS interspersed among them, Vulcans, blue-skinned
Andorians, high-domed Vegans, ect.) Kirk continues on
when suddenly he reacts, annoyed as he sees:
37 SONAK 37
a Vulcan, Lt Commander; short, white-haired, grizzled,
hurrying along. Kirk calls to him:
KIRK
Commander Sonak... !
SONAK turns with Vulcan imperturbability to face Kirk
who steps toward him
KIRK
(continuing)
You've received your appointment
as Enterprise Science Officer?
SONAK
(nods)
Based, I am told, on your
recommendation, Admiral. Thank
you.
KIRK
Why aren't you on board?
SONAK
Captain Decker requested I complete
final Science briefing here before...
KIRK
(interrupting)
Here at Starfleet...? The
Enterprise is in final preparation
to leave dock...
SONAK
Which will require twenty more
hours at minimum, Admiral...
KIRK
Twelve! I'm on my way to a meeting
with Admiral Nogura which will not
last more than three minutes.
Report to me on the Enterprise in
one hour.
SONAK
To you, sir?
KIRK
I intend to be there following
that meeting. Report to me. One
hour!
And Kirk turns, strides purposefully away. Sonak gazes
after him, one eyebrow raised quizzically.
38 EXT. EARTH ORBIT (S) 38
In f.g., Orbital drydock offices, rotating slowly but
perceptibly against blue-black of space. Small figures
in spacesuits working on construction, with work belts.
Beyond and below... Earth. In the far distance we can
barely make out an orbital drydock.
39 CLOSER ANGLE - ORBITAL OFFICE CLUSTER (S) 39
The cluster is a fully-equipped dockyard engineering
center and computer drafting office.
CAMERA MOVES IN AND CENTERS ON an outer "Travel Pod."
40 INT. INNER OFFICE (O) 40
an installation which also includes a double position
transporter, in which we SEE the TRANSPORTER EFFECT
BEGIN. With the TRANSPORTER CREW IS SCOTT. He's with
a Technician, busy with a piece of complex circuitry.
Then he turns, sees that it is Kirk BEAMING in here.
As Kirk materializes, steps off the transporter plat-
form, Scott moves quickly to him.
40A KIRK AND SCOTT 40A
The starship Engineering Officer clearly surprised to
see Kirk here. Kirk has the same look of grim de-
termination we just saw in the headquarters building.
SCOTT
Admiral, I've been hoping to see
you. Maybe you can get through
to those thick heads in Starfleet
that...
KIRK
Why aren't the Enterprise
transporters in operation, Mister
Scott?
SCOTT
We're hoping it's only a temporary
problem, Admiral...
KIRK
See that it is.
(moving toward pod)
Take me over, please.
Scott is now eying Kirk just a little warily as he fol-
lows him into the pod. Kirk's determined expression
suggests that some chips are going to fly and Scott
does not want to become one of them.
SCOTT
(carefully)
Admiral, the Enterprise has just
finished eighteen months redesign-
ing and refitting. She needs
testing, a shakedown...
KIRK
Mr. Scott, there's an alien object
with unbelievable destructive
power less than three days away
from this planet...
Kirk hits a button on the travel pod panel -- the air-
lock doors SLAM closed behind them. Then, stepping im-
mediately to the front observation window:
KIRK
(continuing)
... the only Starship in
interception range is the
Enterprise! Ready, or not, she
launches in twelve hours!
Scott throws Kirk an appalled look but is now occupied
in sealing the Outer Pod door and manipulating drive
controls.
CAMERA CONTINUES TO PULL BACK TO REVEAL front of the
Pod and arms of the office complex as Pod disconnects
and starts to move.
40B EXT. POD 40B
CAMERA CONTINUES TO PULL BACK TO REVEAL front of the
pod and arms of the office complex as Pod disconnects
and starts moving.
41 EXT. EARTH ORBIT - ANGLES ON TRAVEL POD (S) 41
- -
43 43
as it moves way from the office complex. We can
SEE the jet flames of its tiny thrusters as it cir-
cles around, heads off (toward the distant Orbital
dry dock).
44 INT. TRAVEL POD - KIRK AND SCOTT 44
Scott nervously eying Kirk, and finally deciding to
make one more effort:
SCOTT
The crew hasn't had near enough
transition time with all the new
equipment. And the engines,
Admiral: they've yet to be even
tested at warp power. Add to
that, an untried Captain...
KIRK
(hint of smile)
Two and a half years as Chief of
Starfleet Operations may have
made me a little stale, Mr. Scott
-- but I wouldn't exactly consider
myself 'untried.'
It takes Scott a moment to comprehend, and Kirk smiles
now, nods:
KIRK
(continuing)
They gave her back to me, Scotty.
Scott peers at him, genuinely surprised -- and pleased.
Then:
SCOTT
"Gave' her back, sir...? I doubt
it was that easy...
(returns smile)
But any man who could manage such
a feat, I wouldna dare disappoint.
She'll launch on time, sir...
(with confidence)
And she'll be ready.
And he clasps Kirk's elbow affectionately, then gestures
Kirk to look out the pod window.
45 EXT. OUTSIDE THE POD WINDOW - KIRK'S POV (O) 45
as he looks out: the blue-black of orbital space.
46 INT. TRAVEL POD 46
Scott is well aware of what the Enterprise means to
Kirk. As Scott maneuvers the pod to provide the best
perspective, Kirk peers through the observation window,
craning his head, hungry for his first glimpse of the
starship. Scott is watching him, immensely pleased.
47 PAST THEM TO THE POD WINDOW (O) 47
as we SEE the drydock and more of its detail, and a
hint of what is inside.
48 EXT. EARTH ORBIT - OTHER ANGLES FROM THE POD (O) 48
- -
50 50
PAST Kirk and Scott the corner of the drydock becomes
larger -- we begin SEEING more of it. And then the
merest glimpse of what is inside the drydock: The
Enterprise slips INTO VIEW.
51 INT. POD - VERY CLOSE ON KIRK AT WINDOW 51
as he watches, his face reflecting all of it: the awe,
the wonder, the romance, the obsession. The one comp-
lete love of his life. And with that love regained,
he is becoming more fully alive again.
Kirk looks at Scott; for a moment both hold each other's
eye. Scott knows precisely how Kirk feels. Both turn
to the window again.
52 WHAT THEY SEE - THE ENTERPRISE (S) 52
Now DOMINATING the SCREEN -- the awesome, symmetrical
bulk of the starship comes fully INTO VIEW. And it
dominates Kirk's -- and our emotions.
53 EXT. THE ENTERPRISE - AND THE POD (TINY IN THIS SHOT) 53
- -
56 AS IT CIRCLES - THE ANTI-LIKE FIGURES OF WORKERS (S) 56
The great ship dwarfs everything. The drydock becomes
a fragile filigree framing the ship's great curved
bulk. The tiny pod continues to move along it.
Small automated welding devices move along the gird-
ers, working with brief, bright orange-white flares.
In other areas of metal lace structure, supplies and
equipment are being loaded onto the ship. The pod
continues moving (Scott is giving Kirk time to see all),
watched carefully by the TINY FIGURES OF SUPERVISING
TECHNICIANS on the drydock. Now the pod moves toward
mating position. It closes in, secures itself to the
outer airlock.
57 INT. POD - AT THE AIRLOCK 57
Scott completing the mating procedure, Kirk turning
from the observation window. Outside, the metallic..
CLICK of the pod locking onto the airlock. Now the
"WHOOSH" of the latch doors securing, the CLANG of
security bolts. It's all been a rare and delicious
moment for Kirk, and his face shows it.
OVER the POD INTERCOM we HEAR, "Pod secured. Pressure
equalized." Scott moves the control to open the hatch.
58 INT. ENTERPRISE CARGO DECK (M) 58
A confusion of organized work and VOICES. The cargo
deck bustles with activity; supplies and equipment
being stored and installed.
59 INT. CARGO DECK - BALCONY AND CATWALK 59
Kirk and Scott are met by a nervous, perspiring
ENSIGN.
KIRK AND SCOTT
Permission to come aboard, sir...?
ENSIGN
Granted, sir. Welcome aboard,
Admiral... Commander Scott,
you're needed in Engineering
immediately.
SCOTT
(to Kirk)
Sir, you'll excuse me...?
Kirk gestures him to leave, and Scott hurries away.
Kirk stands a moment, gazing down at the cargo deck.
60 ANGLE DOWN PAST KIRK TO FLOOR (M) 60
The crew maneuvering antigravity devices which move
heavy containers -- scrambles of activity at storage
holds and maintenance lockers.
61 CLOSE ON KIRK AND ENSIGN 61
Kirk is drinking it all in. He's home.
ENSIGN
(nervous)
Sir, if you'll follow me, I'll...
KIRK
I think I can find my way,
Ensign.
And Kirk moves off, leaving the Ensign gazing at him,
relieved.
62 EXT. ELEVATOR AND CATWALK 62
Kirk ENTERS ANGLE and the doors snap open.
63 INT. ELEVATOR 63
as Kirk enters. The doors close. Kirk waits a beat,
savoring this moment too. Then, firmly to the control
panel:
KIRK
Bridge!
The turbo-elevator HUMS WITH POWER as it begins hur-
tling up. On the wall back of Kirk we SEE an electronic
diagram of the Enterprise tracking the elevator's
speedy trip to the Bridge.
64 INT. BRIDGE 64
A confusion of activity and VOICES. Pieces o equip-
ment in a state of disarray: consoles open, fiber
optic tubes unconnected, viewing screens dismantled.
It's a frantic, desperate scene -- a ship and crew to-
tally unprepared. In the midst of this: ALIEN
ensign is assisting UHURA (Lt. Comdr. stripes)deftly
working her communications station, AD LIBBING
"... Hailing frequency four, check. Hailing frequency
five, will someone please check me?" At the helm,
sweat-soaked SULU (Lt. Comdr stripes) has a service
plate open, is peering inside to make delicate adjust-
ments, AD LIBBING "... Helm, now give me a reading on
four point zero zero six of full." And at the Weapons
Control, CHEKOV (Full Lt.)argues with TECHNICIANS who
insist photon torpedoes read "ready" while Chekov
argues the computer is not relaying that information.
65 ANGLE ON THE ELEVATOR DOORS 65
snapping open -- and there is Kirk. For the moment no
one notices him, and he stands watching, remembering.
And then he moves forward toward the command center.
66 ACROSS UHURA TO KIRK 66
as she is the first to see him. She reacts,pleased.
UHURA
Captain... Starfleet just
signaled your transfer-of-
command orders!
67 ANOTHER ANGLE - VARIOUS REACTION 67
as everyone else is suddenly aware of Kirk.
All work stops, with various AD LIBBED greetings from
the old crew: "Admiral Kirk..." "It's the Captain...!"
etc., etc. But most sit or stand, simple gaping at
Kirk, all quite awed. The old hands, Uhura, Sulu, and
Chekov start converging on Kirk. But he gestures them
back, speaking crisply.
KIRK
I appreciate the welcome; I wish
the circumstances were less
critical.
(to Uhura)
Epsilon Nine is monitoring the
intruder; keep a channel open to
them.
(glances around)
Where is Captain Decker?
SULU
He's in Engineering, sir...
(uncomfortable,
indicates Captain's
chair)
He doesn't know.
Kirk reacts with some exasperation, starts away,
addresses Chekov:
KIRK
Mr Chekov, assemble the crew on
the Rec Deck at 0400 hours. I
want to show them what we're
facing.
And Kirk moves to the elevator, enters, is gone. The
moment the elevator doors snap closed:
SULU
I wouldn't have wanted to have
been standing in his way. He
wanted her back; he got her!
ALIEN ENSIGN
(perturbed)
And Captain Decker? He's been
with the ship every minute of
her refitting...
UHURA
(brittle)
Ensign -- our chances of coming
back from this mission in one
piece may have just doubled...!
68 OMITTED 68
- -
69 69
70 INT. ENGINEERING SECTION 70
The entire complex a beehive of pre-departure activity.
ENGINEERING PERSONNEL (at least a third of them female)
coming and going, the platform-elevators (small, one-
man lifts to various levels) busy. A gentle but con-
stant HUM and WHIRR flows from the engine core, to indi-
cate a pre-idling mode. There will be continual AD
LIBBED conversation among the Technicians.
Now the Engine Room door opens and Kirk steps into the
area. He stands a moment observing the activity. a
grizzled ENGINEERING CHIEF pushes a huge condenser on
an anti-grav device past irk with a respectful "watch
it, sir" admonishment. Kirk moves on to:
71 THE INTERMIX CHAMBER 71
at the middle of the power shaft. Very NOISY here,
and a continual CACOPHONY of COMPUTERIZED AND HUMAN
VOICES calling off equipment checks. And grouped
around a section of burnt-out circuitry are WILLARD
DECKER, Captain's stripes, handsome, in his early
30's; Scott, and two Technicians. Decker and Scott
are working feverishly uncoupling the device,
probing its innards. Decker has discovered the problem,
removed several transistor-type parts, taps them
with a pencil-sized sonic analyzer.
DECKER
(quietly elated)
I thought so! See... the trans-
porter sensor was not activated...
SCOTT
(impressed)
Aye, you were dead right about
that...
(to Technician)
Clearly, put a back-up sensor into
the unit.
72 ACROSS THEM TO KIRK 72
as the Technician prepares to install the device,
Scott glances up to see Kirk.
He looks from Decker to Kirk in acute embarrassment
(so that we should realize Scott hasn't mentioned
Kirk's taking over to Decker). Decker now notices
Kirk, reacts pleased.
DECKER
Admiral Kirk...
(shakes Kirk's hand)
We're getting a top brass send
off...?
(self assured grin)
She'll launch on schedule if we
have to tow her out with our bare
hands. Right, Scotty?
SCOTTY
(lamely)
Aye, sir, that we will...
KIRK
(to Decker)
Will, let's go over here and
talk.
He indicates corner. Decker glances bemusedly at
Kirk, then turns to Scott:
DECKER
Let me now when the back-up is
in place.
73 ACROSS SCOTT TO KIRK AND DECKER 73
as Scott AD LIBS a glum "Aye, sir," and watches them
walk across the Chamber.
74 A CORNER OF THE INTERMIX CHAMBER 74
just a little quieter here, with Kirk and Decker arriv-
ing, and Decker saying blithely:
DECKER
All due respect, sir, I hope
this isn't a Starfleet pep talk;
I'm just too busy.
Kirk eyes Decker -- then decides the best way to say
it is plainly, directly.
KIRK
I'm taking over the Center seat.
I'm sorry, Will.
DECKER
You are what...?
KIRK
I'm replacing you as Captain of
the Enterprise.
Decker seems shocked into silence; he can only peer
at Kirk who reaches tentatively as though to clasp a
paternal hand on Decker's shoulder, then withdraws it
and continues quickly.
KIRK
(continuing)
You'll stay aboard as Executive
Officer... a temporary grade
reduction to Commander.
DECKER
(finding his voice)
-- You, personally, are assuming
command?
KIRK
Yes.
DECKER
May I ask Why?
KIRK
(nods)
My experience -- five years out
there dealing with unknowns like
this -- my familiarity with the
Enterprise, this crew...
DECKER
Admiral, this is an almost totally
new enterprise. You don't know
her a tenth as well as I do.
75 ANOTHER ANGLE - TO SHOW SCOTT IN B.G. (ACROSS THE 75
ROOM)
Scott, working on the relay, but continually glancing
at Kirk and Decker with worried concern, as Kirk
replies:
KIRK
That's why you're staying aboard.
I'm sorry, Will.
DECKER
No, Admiral. I don't think you are;
not one damned bit. I remember
when you recommended me for this
command. You told me how envious
you were, and if only you could
find a way to get a starship
command again. Well, sir, it looks
like you found a way.
Kirk is silent a moment, peering levelly at Decker,
who returns the gaze with equal intensity. Then:
KIRK
Report to the bridge, Commander.
Immediately.
Decker EXITS. Kirk waits, collecting his composure
as he watches him go. Then Kirk turns to glare at
Scott. Interrupted by a flare as something shorts
out at the mechanism where Scott and Decker had been
working. Technician (Clearly) reacts, hits an inter-
com button fast:
TECHNICIAN (CLEARY)
Transporter room, come in!
Urgent!
(to Scott)
Redline on the transporters,
Mister Scott!
Scott whirls to a console fast, speaks urgently!
SCOTT
Transporter room, do not engage!
Do not....
TECHNICIAN (CLEARY)
(reacting to the reading;
interruption)
Too late; they're beaming now!
Kirk is exiting on a run, followed by Scott.
76 INT. TRANSPORTER ROOM - INCLUDING TRANSPORTER CHAMBER 76
(O)
An unusually defective looking TRANSPORTER EFFECT in
progress, alternately flashing and glowing -- even the
Transporter SOUND seems wrong, as if struggling to
overcome some problem. At the console, CHIEF RAND and
ASSISTANT are reacting in surprised, near-horror as
they attempt vainly to save the situation.
RAND
(into intercom)
Starfleet, override us!
OVERRIDE...! Yank them back!
Suddenly, from Rand's console,a VIOLENT GLARE -- a
PROTESTING SOUND from the circuitry. And on the con-
sole a red-warning light now begins flashing.
STARFLEET VOICE
Unable to retrieve their pattern,
Enterprise....!
Rand reacts in real horror now as human forms begin to
FAINTLY MATERIALIZE, then FADE AWAY, then REAPPEAR IN
FAINTLY MISSHAPEN FORM as she frantically works con-
trols. Kirk ENTERS fast, steps to the console to
assist Rand; Scott has also come in and moves to the
console, brushes aside the Asst. Chief, and begins
manipulating the additional controls himself.
SCOTT
We're losing the pattern...!
KIRK
(into intercom)
Starfleet, boost your matter gain;
we need more signal!
RAND
Oh, no! They're forming!
77 CLOSER ON THE TRANSPORTER CHAMBER (O) 77
with the human forms FLUTTERING INTO FULLER AND FULLER
MATERIALIZATION, FRIGHTENINGLY, HORRIBLY MISSHAPEN. We
RECOGNIZE one form as the Vulcan, Sonak -- the other a
human WOMAN. They MATERIALIZE; we HEAR A MOAN form
from the Vulcan -- the Woman's SCREAM OF PAIN. Then,
all at once, the half-materialized bodies are gone;
the transporter chamber is empty.
KIRK
Oh, my God...!
78 KIRK, SCOTT AND RAND 78
gazing, horrified, at the empty chamber.
KIRK
(into intercom)
Starfleet, do you have them?
A mutter of utter, vacant silence -- and Kirk and
Scott look at each other again, their pained faces
presaging the answer they already know:
STARFLEET VOICE
(shaken)
Enterprise... what we got back
didn't live long. Fortunately.
Another moment of stunned silence, and then Kirk hits
the transmission button -- fighting to control his
voice as:
KIRK
Starfleet... Kirk. Please...
express my condolences to their
families. Commander Sonak's
can be reached through the Vulcan
Embassy.
(see Rand's stricken
expression)
There was nothing you could have
done, Rand. It wasn't your fault.
And before Rand can answer, Kirk leaves the room.
79 INT. CORRIDOR - TRAVELING WITH KIRK 79
as Kirk steps out, and the doors snap closed behind
him. In the corridor the furor of the hurried depar-
ture is, as everywhere, quite evident: CREW MEMBERS
move back and forth. But Kirk does not see them; his
mind is tormented by the transporter accident -- was
there something he should have done, could have done,
to prevent it? Should he launch on schedule with the
starship this unready? Has he done right in yielding
to this terrible needs for starship command again,
forcing Starfleet to give her to him? Would Decker's
knowledge of the new design have prevented the acci-
dent?
Kirk reaches a corridor intersection, looks around,
realizes he's lost track of where he is. A passing
YEOMAN stops in response to his puzzled expression.
KIRK
Turboshaft eight...?
YEOMAN
Back that way, sir.
She's indicating back the direction from which Kirk
came. He nods his thanks, turns and moves back down
the corridor.
80 DECKER 80
hurrying down the corridor. The two face each other
a silent moment, Decker studying Kirk curiously.
KIRK
We'll have to replace Commander
Sonak. I'd still like a Vulcan
there, if possible...
DECKER
None available, Captain. There's
no one in fact, who's fully rated
on this design.
KIRK
You are, Mister Decker. I'm
afraid you'll have to double as
Science Officer.
And Kirk moves on, Decker stands gazing reflectively
after him.
81 OMITTED 81
- -
84 84
85 CLOSE - FULL SHOT OF THE KLINGON SHIP BEING DESTROYED 85
(AS SEEN ON VIEWER) (O)
(in the last part of the scene which showed the Klingon
Captain speaking in Klingonese and an English print-
out interpretation appearing at the screen bottom.
The Klingon ship nearly totaled; one engine nacelle
gone, smoke and flame spewing from the other, etc.
And then that final WHIPLASH ENERGY BOLT STRIKING AND
SPECTACULARLY DESTROYING THE SHIP, etc.)
But this time, O.S., we HEAR GASPS of incredulity from
many throats (an audience), and various AD LIBBED com-
ments: "My God...!" "I don't believe it...!" "What
could it be...?" Etc., etc.
And then, immediately following this, on the viewer:
86 THE LUMINESCENT CLOUD (AS SEEN ON A VIEWER) (O) 86
(as in earlier Epsilon 9 viewer -- but with no music,
only more AD LIBBED exclamations from an audience.)
The viewer goes blank.
87 INT. RECREATION DECK (M) 87
We SEE that all this was being viewed by the CREW
MEMBERS (Aliens included) assembled on the Rec Deck.
The Recreation Deck is one of the largest areas on
the ship, several deck levels high, a part of one
wall consisting of picture windows, through which can
be seen sections of the drydock structure outside.
On another wall is a large viewer, on which was just
shown the Klingon transmission. Leading off and away
from this deck area are what are obviously other
specific recreation areas -- gymnasiums, food centers,
game rooms, lounges, etc.
88 ANOTHER ANGLE OF THE RED DECK - HIGHER LEVEL 88
as the Crew Members chat in low, grim tones -- Kirk
(now with Captain's stripes) appears. As he comes
into view, the two hundred or so crew below go silent.
Kirk grimly indicates the now blank viewer:
KIRK
That's all we know about it;
except that it's now 2.2 days
from Earth. Enterprise is the
only Federation starship that
stands in its way.
89 ANOTHER ANGLE - CREW REACTIONS 89
as the CAMERA FINDS various faces: human, alien; most
young, all intelligent, forthright -- anxious. Kirk
has paused a moment, now continues.
KIRK (O.S.)
We assume there is a vessel of
some type at the heart of the
cloud. Our orders are to intercept,
investigate; and take whatever action
is necessary... and possible.
(beat)
...We can only hope that the
life form aboard that vessel
reasons as we do.
90 ANGLE ON UHURA 90
standing near an intercom, which just then has emitted
a bosun's WHISTLE intercom signal.
BRIDGE VOICE
(from intercom)
Bridge to Captain. Priority
signal from Epsilon Nine --
Kirk leans over to the intercom, speaks into it:
KIRK
Put it on the viewer here...!
91 ON THE REC DECK VIEWER (O) 91
as all eyes turn to the viewer which fades into a view
of Commander Branch, in the Epsilon 9 monitor room.
Branch is tense, reflecting extreme urgency. Near
Branch, working intently at the console are the Female
Lieutenant and a Technician.
BRANCH
(from the viewer;
checking console
readings)
Enterprise... the Cloud is
definitely a powerfield of some
kind... Measures... My God!
Over 82 A.U.'s in diameter...
Must be something incredible
inside there generating it.
(looks up from
console)
We're transmitting linguacode
friendship messages on all
frequencies. No response.
TECHNICIAN
I have a null reading at the
center of the 'cloud,' sir.
LIEUTENANT
Definitely something inside..
there but all scans are being
reflected back.
(studies readings)
Receiving an odd pattern now..
(toward Branch)
They seem to be reacting to
our scans, sir.
BRANCH
(inspecting another
console)
Some kind of energy surge...
(looking up)
Enterprise... they could be
mistaking our scans as a
hostile act...
(reacts at readings)
Deflectors, emergency full!
Branch hits an alarm button; we HEAR ALARM KLAXON
SOUNDING. The viewer IMAGE DISTORTS, clears again
while Branch -- facing his viewer, continues urgently:
BRANCH
(continuing)
We are under attack...!
KIRK
(to Uhura)
External view...!
92 ON THE VIEWER - EXT. THE DESTRUCTION OF EPSILON 9 (O) 92
as the image of Branch is immediately replaced by an
external view of the plantoid, and the LUMINESCENT
CLOUD (at about the same distance from which the
Klingon cruisers were attacked).
Then it STRIKES the plantoid WITH FULL, CATACLYSMIC
FORCE. The viewer IMAGE BREAKS UP -- and immediately
the entire Starfleet base becomes a maelstrom of FLAR-
ING ENERGY, shattered structure, flying debris. And
then, all at once, there is nothing -- empty space,
Epsilon 9 is gone. We SEE only the stars; and the
mysterious LUMINESCENT CLOUD moving across the distant
sky.
(NOTE: The above is entirely SILENT, and when it is
finished, not a word is spoken.)
KIRK (O.S.)
Viewer off.
93 ANOTHER ANGLE - KIRK 93
as the viewer goes blank, all still facing the screen.
Then Kirk turns to the room as if to comment. Then he
stops -- nothing he can say will add at all to what
they've just seen. Instead:
KIRK
Pre-launch countdown will
commence in forty minutes.
94 ANOTHER ANGLE - CREW 94
The scene they have just witnessed still vivid in their
minds as they gaze somberly up toward Kirk who is exit-
ing. The bridge crew follows him out. Not a word is
said as the remainder of the crew waits another moment,
then begins to disperse toward their duty stations too.
95 EXT. THE ENTERPRISE IN DRYDOCK (S) 95
Spectacular ORBIT VIEW of the giant starship in the
process of release. BEYOND US, in half light, EARTH
LOOMS HUGE. The dock welders are gone; the supply pods
float away from the ship. Little tongues of blue flame
spurt from the ship's maneuvering jets.
96 CLOSER - ON ENTERPRISE (S) 96
as the large dock umbilical is released, floats free of
its starship attachment. Dock departure is imminent.
97 INT. BRIDGE 97
Kirk in the center seat, intently studying the Naviga-
tion console in front of him (at the Navigator's
station, which is unoccupied.) Other bridge personnel
are busy with their pre-launch duties.
UHURA
Transporters Room and Chief
Engineer Scott report trans-
porter system fully repaired
and now functioning normally,
sir.
SULU
Dock signals clear, Captain.
KIRK
Rely we are holding position
awaiting final crew replacements.
UHURA
Captain, Transporter Personnel
reports the Navigator...
(consults console)
... Lieutenant Junior Grade Ilia
(Eye-lee-ah) is already aboard,
and en route to the bridge.
98 ANGLE ON DECKER - AT THE SCIENCE STATION 98
as Decker (now wearing Commander stripes) reacts,
almost startled, and Uhura continues:
UHURA
She's a Deltan.
Uhura's tone and expression convey "Deltan" in a
certain, special manner.
KIRK
(reprovingly)
And there are no finer navigators
in Starfleet, Commander.
The last is interrupted by:
98A ANGLE ON THE ELEVATOR DOORS 98A
as they snap open, and there emerges a breathtakingly
beautiful young woman (uniformed as a Navigator Lieu-
tenant) who strides purposefully onto the bridge. A
stunning figure, but hairless, entirely bald but or
delicate eyebrows and eyelashes. Her bald head is not
at all unattractive, in fact exudes an aura of sensual
nudity. Indeed, her whole being exudes sensuality.
(This is a racial characteristic, not a deliberate
presence.) She approaches Kirk
(NOTE: Throughout this sequence, Sulu eyes ILIA with
unrestrained admiration.)
ILIA
Lieutenant Ilia reporting for
duty, sir.
KIRK
(formally; rising)
Welcome aboard, Lieutenant.
99 ACROSS ILIA TO DECKER 99
as Ilia starts to speak, suddenly stops: she has just
then noticed Decker, who has stepped from his station
to face her. For an electronic moment their eyes meet,
hold in unquestioned recognition.
DECKER
Hello, Ilia.
ILIA
(surprised)
Decker....!
Kirk has observed this with surprise and some concern
(it presages possible complications). Decker turns to
Kirk, slightly uncomfortable at this.
DECKER
I was stationed on the Lieutenant's
home planet some years ago...
Ilia looks from Kirk back to Decker, puzzled at his
sleeve stripes.
ILIA
(eyes his rank
stripes)
'Commander' Decker?
KIRK
Our Exec and Science Officer...
DECKER
(bitingly)
Captain Kirk has the utmost
confidence in me.
Kirk flashes a hard glance at Decker, then toward
Ilia too.
KIRK
(pointedly)
And in you, too, Lieutenant.
ILIA
My oath of celibacy is on record
Captain. May I assume my duties?
While respectful, her tone of voice has been just as
firm as Kirk's.
KIRK
By all means.
100 ACROSS KIRK TO UHURA 100
receiving a message, now relaying it.
UHURA
Captain, Starfleet reports our
last six crew members ready to
beam up...
(puzzled)
... but one of them is refusing
to step into the transporter.
Just as Kirk a moment before was tense, now suddenly
he's relaxed again; he rises.
KIRK
(pleased)
Oh? I'll see that he beams up...!
And he hurries from the bridge, onto the elevator, is
gone. A moment of puzzled silence, then:
DECKER
Mr. Sulu, take Lieutenant Ilia
in hand.
SULU
(startled)
Sir...?
(then understands)
Yes, of course...
(to Ilia)
Your pre-programming is already
set in, Lieutenant.
Sulu has almost tripped getting out of his chair. He
starts offering Ilia his hand, then thinks better of
it, withdraws it abruptly, immediately busies himself
punching out equations on her console... AD LIBS,
"It's all on the computer. You'll have no problem..."
Sulu is nervous, fluttery around this lovely creature --
now hits a wrong switch. Produces a BEEPING SOUND which
he fumbles to shut off. She smiles; speaks quietly,
repeats:
ILIA
I'm sworn to celibacy, Mister
Sulu. That makes me as safe
as any human female.
Sulu catches her eye but before he can reply, Decker has
moved in beside Ilia.
DECKER
I now the Captain meant no person-
al insult.
ILIA
(eyes on console)
I would never take advantage of
a sexually immature species.
(looks at him)
You can assure him that's true,
can't you?
Clearly, the remark carries special, personal
significance.
101 INT. TRANSPORTER ROOM 101
- -
102 102
Kirk entering as Rand and her assistant electronically
list the last of the five arrivals who are leaving the
Transporter Chamber. Kirk calls through intercom to
the last arrival, a young female Yeoman.
KIRK
Yeoman, what was the problem
down there?
YEOMAN
(through intercom)
He insisted we go first, sir.
Said something about first seeing
how it scrambled our molecules.
KIRK
Thank you, Yeoman
(hits transmit control)
Starfleet , this is Captain Kirk.
The officer is to be beamed up
immediately!
103 ANGLE ON THE CHAMBER (O) 103
A moment, then again the GENERATING HUMMING, and then
the familiar BEAMING EFFECT. And then you SEE McCOY!
He fully MATERIALIZES. He looks himself over as if in
pleased surprise he is still in one piece. CAMERA PANS
McCoy from the Transporter Chamber to Kirk who is hav-
ing a hard time containing his amusement and delight.
KIRK
Well, for a man who swore he'd
never return to Starfleet...
McCOY
(flat, tight)
What happened, Captain, sir, was
that your revered Admiral Nogura
invoked a little known -- and
seldom used -- reserve activation
clause...
(snaps)
... in simpler language, Captain,
sir, they drafted me!
KIRK
(straight-faced)
They didn't...!
Kirk has offered his hand, but McCoy is already flaring:
McCOY
This was your idea! It was
your idea, wasn't it!
KIRK
Bones, there's a 'thing' out
there --
McCOY
-- Why is any object we don't
understand called a 'thing'?
KIRK
(continues)
-- headed this way. I need you...
McCOY
Were you behind this?
KIRK
(nods)
Bones, I need you badly.
Kirk extends his hand again; McCoy delays some moments
-- then finally responds. And once done, it is the long
hand clasp of two old friends reunited despite their
differences. Now McCoy turns to Rand.
McCOY
Permission to come aboard, sir?
RAND
(elated)
Permission granted, sir!
And McCoy moves toward the door, grumbling:
McCOY
I hear Chapel's an MD now; I
need a top nurse, not a doctor
who'll argue every diagnosis...
And --
Even when he's in the corridor his grumbling trails
after him.
McCOY
(continuing)
... they've probably redesigned
sickbay, too. Engineers love to
change things.
104 FULL ON KIRK 104
as he gazes fondly after the grumbling McCoy, and now
turns to the intercom, flips it on:
KIRK
All decks, this is the Captain.
Prepare or immediate departure.
105 INT. ENTERPRISE - MONTAGE DEPARTURE SCENES 105
- -
108 108
Bulkheads closing, feed lines disengaging, main
ENGINES HUM into life, crew personnel hurrying to
launch stations. SHOTS of cargo deck, down to
Engineering Section slamming shut. Drydock area
clearing, work lights go out, warning lights go on.
109 INT. BRIDGE 109
All flight positions manned, ready.
UHURA
Dock control reports ready, sir.
SULU
Helm ready, sir.
ILIA
Orbital departure on plot, sir.
UHURA
Yard command signaling clear,
sir.
KIRK
Maneuvering thrusters, Mister
Sulu.
SULU
Maneuvering thrusters, sir.
KIRK
Hold station.
SULU
(working controls)
Thrusters at station-keeping, sir.
110 EXT. EARTH ORBIT - ENTERPRISE AND DRYDOCK (S) 110
The starship within the drydock, but now the maneuver-
ing -- thrusters spurt pinpoints of BLUE-LAME. The
drydock is ready for the starship's departure -- not
a single pod or shuttlecraft in sight. The starship
looms majestically within the lacework girders.
111 OMITTED 111
112 INT. BRIDGE 112
as Kirk hesitates just an instant, seems to hold his
breath. Then:
KIRK
Thrusters ahead, Mister Sulu.
Take us out.
113 EXT. EARTH ORBIT 113
The maneuvering -- thrusters spurt more BLUE FLAME.
The Enterprise begins moving, DOMINATING SCREEN as
it moves majestically from the drydock.
THEME MUSIC IN AND UP.
114 CLOSER ANGLES - ENTERPRISE (S) 114
- -
117 117
emphasizing fine detail reality of both drydock and
starship as saucer section emerges. Tiny space-
suited human figures watch the departing ship.
CAMERA HOLDS ON STARSHIP until completely clear
of the orbital dock.
117A INT. ENGINEERING SECTION 117A
Here in Engineering Section, the ENGINE THROBBING
SLOWLY BUILDS to a THUNDERING SOUND. A glow from
the central unit indicates anti-matter intermix
underway. The Engineering Section shudders as the
great engines draw more and more power.
SCOTT
Intermix set, Bridge, impulse
power at your discretion.
118 INT. BRIDGE - FAVORING KIRK 118
as he hesitates just an instant. This is the moment
he's awaited, and to him it is equally as sensuous
and gratifying as making love -- which, perhaps, he
is -- to his mistress: The Enterprise.
KIRK
(after a moment)
Impulse power, Mr Sulu.
Ahead Warp point-five.
119 EXT. THE ENTERPRISE (S) 119
The maneuvering jets turn off, the impulse drive glows.
The Enterprise begins moving perceptibly faster --
behind her, the drydock diminishing rapidly in size.
KIRK
Departure angle on viewer.
CHEKOV
Departure angle.
We SEE viewer IMAGE SWITCH to a departing view of
lovely bluish, cloud-laced image of Earth as it grows
smaller, smaller, dwindling quickly as the starship
gathers speed.
KIRK
Viewer ahead.
And viewer IMAGE SWITCHED to show the star patterned
space ahead.
120 EXT. SPACE - SATURN 120
with its colorful rings and multiple moons FILLING a
major portion of the FRAME.
KIRK (V.O.)
Captain's Log, stardate 7412.6.
2.7 hours from launch...
121 INT. BRIDGE - FAVORING THE VIEWER 121
All hands tense with the excitement of the journey,
on the viewer Saturn -- and its rings -- are falling
away (BEHIND US). OVER this:
KIRK (V.O.)
(concerned)
... in order to intercept the
Intruder at the earliest possible
time, we must now risk engaging
Warp drive while still within the
solar system...
End of log.
122 ANGLE ON DECKER - SCIENCE STATION 122
punching in equations on his console, reaching a
reading:
DECKER
Captain, assuming we have full
Warp capability, accelerating to
Warp Seven on leaving solar system
will bring us to IP with the
Intruder in twenty point one hours.
122A INCLUDE ILIA 122A
Checking her console.
ILIA
Science Officer's computations
confirmed, sir.
And Decker and Ilia glance at each other -- and again,
you know there is something more than casual in this.
123 ANGLE ON THE ELEVATOR DOORS 123
as they open, and McCoy appears, walks over to Kirk
who swings his chair around to face him. McCoy is
his usual dour self.
KIRK
Well, Bones, do the new medical
facilities meet with your
approval?
McCOY
They do not. It's like working
in a damned computer center.
KIRK
(turning to Decker)
Programming ready?
DECKER
Program set for standard Warp
entry, Captain...
Kirk starts to swing his chair to normal position --
Decker calls:
DECKER
(continuing)
... but I still recommend
further simulation study.
KIRK
Mister Decker; every minute
brings that object nearer Earth!
(using intercom)
Engineering! Stand by for
Warp Drive.
McCoy is watching Kirk, a bit surprised at his abrupt-
ness to Decker.
SCOTT'S INTERCOM VOICE
(worried)
Captain, we need further Warp
simulation on the flow sensors...
KIRK
Engineer, we need Warp speed now!
McCOY
(very gently)
You're pushing Jim. Your people
know their jobs.
Kirk flashes McCoy a glance of annoyance -- then back
to using intercom:
124 INT. ENGINEERING 124
The main intermix chambers GLOWING with power; the LOW
RUMBLE of the main engines coming to life.
The CAMERA FINDS Scott in the chamber:
SCOTT
(into intercom)
Hold one minute, please, Captain --
He steps to his console where an ASST. ENGINEER is
working a computer, studying the readouts, punching
buttons, etc. Scott stands over him, grimly observ-
ing. Finally, the Asst. simply shrugs with frustration.
ASST.
That's it, sir; I can't do any
better.
SCOTT
(grim)
Aye, lad...
(into intercom)
It's borderline on the simulator,
Captain: I canna guarantee that
she'll...
125 INT. BRIDGE 125
as Kirk, annoyed, interrupts Scott on the intercom.
KIRK
Warp Drive, Mr Scott.
McCoy still watches curiously as Kirk turns to the
helm:
KIRK
(continuing)
Ahead Warp One, Mr Sulu.
SULU
Accelerating to Warp One, sir.
Sulu moves his controls forward -- everyone waits
tensely -- and then we HEAR THE INCREASING THROB OF
THE ACCELERATING ENGINES.
SULU
(continuing)
Warp point seven... point eight
... nine...
126 EXT. SPACE THE ENTERPRISE - AFT AND AHEAD (S) 126
We SEE the WARP POWER EFFECT build up between the en-
gine "nacelles" -- then the starship makes the QUANTUM
LEAP into warp drive. The stars ahead shift, streak,
colors pulsating and changing as the shift exceeds the
wave lengths of the light spectrum -- and the stars
congeal into a MASS ahead.
127 INT. BRIDGE - PAST KIRK TO THE VIEWER (O) 127
as the viewer shows the same WARP DRIVE EFFECT. or
another moment all remain tense, and then all at once
relax, release their breaths. Smiles.
SULU
Warp One, sir.
Kirk smiles, pleased, starts swinging his chair around,
at the same time calling:
KIRK
Mr. Decker --
Kirk never finishes the word. At that instant, on the
viewer, a WORMHOLE DISTORTION: a sudden SPIRALING OF
STARS AND FLUID LIGHT narrowing into a VORTEX into
which the Enterprise hurtles. A space trap, a deadly
pandemonium of ALARM KLAXONS, BELLS, VOICES:
KIRK
(continuing)
Wormhole!... Get us back on
impulse power! Full reverse!
128 EXT. SPACE - THE ENTERPRISE (S) 128
Enterprise has been caught in a matter-time distortion,
sucked into a cylindrical "hole in space" (the Worm-
hole distortion), stars and planets become strange,
elongated shapes, with the Enterprise drawn deeper
and deeper into the vortex.
129 INT. BRIDGE 129
The KLAXONS and BELLS CONTINUE, and the crew responding:
SULU
Negative helm control, Captain!
Going reverse on impulse power...!
UHURA
Subspace frequencies are jammed
by Wormhole effect!
COMPUTER VOICE
(terse, flat)
Collision alert...!
Collision alert...!
(Note: Computer alert continues through entire scene.)
DECKER
(consulting his viewer)
Negative control from inertial
lag will continue 22 point five
seconds before forward velocity
slows to sub-light speed.
ILIA
Unidentified small object has
been pulled into the wormhole
with us, Captain! Directly
ahead...!
KIRK
Forcefields up full! Put object
on viewer...!
130 ANGLE ON THE MAIN VIEWER (O) 130
showing (a magnification view) of a tiny point of light
directly ahead. Meanwhile, Kirk shouts an AD LIBBED
order to Sulu: "Go to Manual override!" Sulu AD LIBS,
"No manual response...!" (Through all this, McCoy
stands frozen, waiting -- and expecting -- the worse.)
Meanwhile, Ilia has reached over to Sulu's console,
hits a button, AD LIBBING, "Navigational deflectors
coming up...!" And then with alarmed dismay:
ILIA
Navigational deflectors
inoperative...!
(consulting her
console, alarmed)
Directional control also
inoperative, Captain...!
DECKER
Wormhole distortion has over-
loaded main power systems...!
131 CLOSE ON MAIN VIEWER (O) 131
The picture is switched through two further levels of
magnification, enlarging the object: an elongated,
distorted, pitted asteroid, tumbling toward the Enter-
prise on a collision course.
KIRK
(toward Ilia)
Time to impact...?
ILIA
Twelve seconds...!
KIRK
Mr. Chekov, stand by on the
phasers...!
DECKER
(racing to Chekov's
station)
Delay that phaser order! Arm
photon torpedoes...!
133 ANOTHER ANGLE - McCOY NOTICING KIRK 133
who has just glanced, surprised at Decker (for counter-
manding the phaser order) -- and for a split instant,
Kirk seems confused. McCoy reacts with enlightenment
as, meanwhile:
134 ANOTHER ANGLE - THE VIEWER (O) 134
The object even larger.
CHEKOV
Photon torpedoes armed...!
ILIA
Object is an asteroid, reading
mass point seven...
(consulting instruments)
Impact in eight seconds...
seven... six... five...
DECKER
Fire torpedoes...!
CHEKOV
(punching button)
Torpedoes away...!
135 EXT. SPACE - PAST THE ENTERPRISE AND THE ASTEROID (S) 135
as the starship's photon torpedo tubes EJECT GLOWING
BALLS OF LIGHT ENERGY, which seems to float toward the
oncoming asteroid, almost too slowly. And in these
brief seconds, the asteroid hurtles at the Enterprise,
the huge pitted rock growing even larger than the ship
itself. It FILLS THE SCREEN, as the photon torpedoes
hit, disintegrating the asteroid into thousands of
fragments. Instantly, these fragments pulverize them-
selves on the ship's forward forcefield and deflector
screens. The smaller pieces burn up on impact, clearly
outlining the ship's forcefield barriers.
136 INT. BRIDGE - INCLUDING MAIN VIEWER (O) 136
The asteroid fragments still smashing into the force
field screen; the smaller bits like SPARKLERS as im-
pact heat consumes them. The larger sections bouncing
away, the bridge QUIVERING as they hit.
Then one final gigantic fragment strikes, the bridge
SHUDDERS. And then the viewer shows only the normal
SUB-WARP EFFECT: The stars ahead, relatively station-
ary; a feeling of motion, but smooth, visually normal.
CHEKOV
(relieved)
We're out of it...!
DECKER
We are at warp point eight.
Position report, Navigator..?
SULU
Helm control restored, sir.
ILIA
Computing new interception
course.
UHURA
Communications are normal,
Captain.
CHEKOV
(to Kirk)
Negative damage report, sir.
(to McCoy)
No casualties reported, sir.
McCOY
(tight)
Wrong, Mr. Chekov, there are
casualties. My wits!
(to Kirk, indignant)
As in 'frightened-out-of'...!
DECKER
(into intercom)
Engineer... report status there.
137 INT. ENGINEERING 137
with Scott and his crew pouring over the instruments --
all seem very grim. Scott, quite preoccupied, now
speaks into the intercom.
SCOTT
In just a second, Exec; we're
picking up the pieces down here.
138 INT. BRIDGE 138
Kirk seeming to collect his thoughts now -- he gives
Decker a look, uses the intercom himself:
KIRK
Warp Drive as soon as possible,
Mr. Scott.
SCOTT'S INTERCOM VOICE
(protesting)
Captain, it was our anti-matter
imbalance that created the
wormhole in the first place. It
will happen again if we don't
correct it.
KIRK
That object out there is less
than two days from Earth, Mister
Scott. We've got to intercept
while it still is out there!
SCOTT'S INTERCOM VOICE
(near annoyed)
Aye, we understand that sir!
We're doing our best.
as Kirk flips off the intercom, rises determinedly,
faces Decker:
KIRK
Mr. Decker, I'd like to see you
in my quarters.
(toward helm)
You have the conn, Mr. Sulu.
McCOY
(to Kirk)
Mind if I tag along?
Kirk gives McCoy an annoyed look, then strides to the
elevator. Decker, grim, follows -- McCoy brings up
the rear as they EXIT.
139 ANGLE FAVORING ILIA 139
gazing worriedly at the just-closed elevator doors,
as Sulu is punching figures into his console.
SULU
Maintaining warp point
eight; I show our new heading
as 287 point three Mark 105.
Ilia's attention is directed toward Decker.
SULU
(continuing; gently
reminding)
Lieutenant Ilia...?
ILIA
(a beat; then
quickly)
Confirmed, Mr. Sulu. Confirmed.
And she punches in some equations, then again peers
up at the doors where she last saw Decker. She is
very concerned.
140 INT. KIRK'S QUARTERS 140
The doors opening, Kirk entering, McCoy moves to b.g.
while Decker stands attentively, waiting as Kirk
turns to him.
KIRK
Explanation, Mr. Decker: Why was
my phaser order countermanded?
DECKER
(cool, polite)
Sir, the Enterprise redesign
increases phaser power by
channeling it through the main
engines. When they went into
anti-matter imbalance, the
phasers were automatically cut
off.
Kirk is surprised by this information, perhaps slight-
ly chagrined. After a beat:
KIRK
Then you acted properly, of course.
DECKER
Thank you, sir. I'm sorry I embar-
rassed you.
KIRK
You saved the ship.
DECKER
(coolly)
I'm aware of that, sir.
KIRK
(flaring)
Stop competing with me, Decker!
DECKER
Permission to speak freely, sir?
KIRK
(tight)
Granted.
DECKER
Sir, you haven't logged a single
star hour in two and a half years.
That, plus your unfamiliarity
with the ship's design -- in my
opinion, sir, seriously jeopardizes
our mission.
Kirk reacts with anger. Struggles for and regains
control.
KIRK
I trust you will... nursemaid me
through these difficulties, Mister?
DECKER
Yes, sir, I'll do that.
Kirk peers at Decker, who stands facing him
determinedly.
KIRK
Then I won't keep you from your
duties any longer, Commander.
(whirling at McCoy)
Yes, Doctor?
Kirk's last line has drowned out Decker's "Aye, sir."
McCoy says nothing, waits until Decker is gone and the
door closes behind him. Then:
McCOY
He may not be wrong, Jim.
141 OMITTED 141
- -
142 142
143 INT. CORRIDOR 143
Decker moving toward an elevator -- the elevator doors
open, and there is Ilia. She steps out, faces him.
ILIA
Was he difficult?
DECKER
No more than I expected
(hesitates)
Not as difficult as this. I'm
sorry...
ILIA
That you left? or that you didn't
say 'goodbye'?
DECKER
If I'd seen you again, would you
have been able to say it?
ILIA
(long hesitation;
then shakes head)
No.
Ilia whirls, moves toward her stateroom door, which
snaps open, then closes behind her. Decker stands
gazing at the door, remembering, regretful.
144 OMITTED 144
144A INT. KIRK'S CABIN - KIRK AND McCOY 144A
KIRK
Get out of here, Bones.
McCOY
(shakes head)
As ship's doctor, I am now
discussing the subject of
command fitness.
Kirk's expression hardens.
KIRK
Make your point, Doctor.
McCOY
The point, Captain, is that it's
you who's competing...
(a beat, as Kirk reacts)
You pulled every string in the
book short of blackmail to get
the Enterprise -- maybe even
that. And when this mission is
over, you have no intention of
giving her back.
KIRK
(tight)
I intend to keep her, is that
what you're saying, Doctor?
McCOY
It's an obsession -- that can
blind you so far more immediate
-- and critical responsibilities.
Your reaction to Decker is an
example.
Kirk studies him a beat; has McCoy touched a nerve?
Something Kirk himself might have been unaware of?
Kirk starts speaking, but is interrupted by:
UHURA'S INTERCOM VOICE
Bridge to Captain.
144B ANGLE TO INCLUDE CABIN VIEWER 144B
as Kirk turns to it.
KIRK
Viewer on.
At his VOICE COMMAND, the viewer comes on with AN IMAGE
of Uhura at her console.
UHURA FROM VIEWER
Signal from a Federation-registered
long-range shuttle, sir. She
wishes to come alongside, and
lock on.
KIRK
For what purpose?
On the viewer, Chekov's IMAGE replaces Uhura.
CHEKOV
It is a courier, Captain. Grade
One priority. Non-belligerency
confirmed.
KIRK
Very well, Mr. Chekov, see to it.
Viewer off.
Viewer IMAGE FADES. Kirk turns back to McCoy whose
question of Kirk's fitness still hangs there between
them. Eye to eye - then, finally:
KIRK
(continuing)
Your... opinion has been noted,
Doctor.
(beat)
Is there anything further?
McCOY
I hope not.
Kirk nods, exits. McCoy watches him go, hoping his
point has gotten through.
145 OMITTED 145
146 EXT. SPACE - THE SHUTTLE (S) 146
traveling at a rapid speed; it carries warp-capacity
nacelles which dwarf the smaller to 10 position
shuttle fuselage. The CAMERA HOLD ON THE SHUTTLE
as it overtakes the Enterprise, the ENTERPRISE COM-
ING INTO VIEW, and the shuttle slowing and beginning
to move between the starship's giant nacelles.
147 EXT. SPACE - THROUGH WINDOW IN OFFICERS' LOUNGE - 147
THE ENTERPRISE AND THE SHUTTLE (S)
About the size of a fighter airplane floating in over
the vastness of an aircraft carrier. The shuttle
slows further, hovering now. Then its fuselage pod
detaches from the warp drive nacelles -- the pod
moving slowly but precisely toward the starship's
command airlock.
148 INT. POD HATCH ENTRY AREA 148
as we HEAR the CLANK and WHOOSH of the AIRLOCK MECHAN-
ISM. Chekov is standing by with a security man.
A moment later the hatch slips open - TO REVEAL
Spock. A proud Spock, impassively Vulcan, almost
contemptuously aloof. His hair is now trimmed in
neat Vulcan style; he wears Vulcan attire simple,
civilian, utilitarian.)
SPOCK
Permission to come aboard, sir?
CHEKOV
Granted, sir! Granted!
Spock is already moving out of the pod entry area, im-
passive, no greeting on his lips; no friendship in his
expression.
149 EXT. SPACE - THE SHUTTLE LEAVING 149
pulling away from Enterprise.
150 INT. BRIDGE 150
The elevator doors open, and there is Spock. It takes
everyone a moment to believe their eyes. Then, the
Bridge crew AD LIB their surprise and pleasure.
KIRK
Spock...! Spock, where...how...?
Kirk, smiling, is moving toward Spock with hand out-
stretched. But Spock has already turned and moved
toward the science console where Decker sits.
SPOCK
Commander, if I may...?
150A AT SCIENCE CONSOLE 150A
It takes Decker a moment to realize that Spock wants
to take over the console. He begins getting to his
feet, throwing Kirk a look. But Kirk's attention is
totally on SPOCK. And Spock is already intent on com-
putations he is beginning to punch into the science
console computer.
SPOCK
I have been monitoring your
Starfleet transmissions, Captain,
your engine design difficulties.
Spock continues to punch information into the science
computer -- a monitor screen IMAGE begins to show com-
plex equations which Spock inspects -- he makes a
further computer punch out and inspects a second monitor
IMAGE of other equations. Only then does Spock seem to
become aware of Kirk and Decker standing there with
questioning expressions.
SPOCK
(continuing)
I offer my services as Science
Officer.
Kirk starts to grin -- then remembers to wipe it off
his face as he turns to Decker.
KIRK
If our Executive Officer has no
objections...?
DECKER
(interrupting)
Of course not. I'm aware of
Mister Spock's qualifications.
KIRK
(grinning openly now;
turns, calls)
Mister Chekov, log Mister Spock's
Starfleet commission reactivated;
list him as Science Officer; both
effective immediately.
151 ANGLE TO INCLUDE ELEVATOR DOORS 151
as they SNAP open -- McCoy and Chapel appear. Chapel
sees Spock at the science console -- she moves in
quickly, overjoyed. Even McCoy seems pleased.
CHAPEL
Mr. Spock...!!!
McCOY
So help me, I'm actually
pleased to see you.
But as Chapel crosses to Spock, her pleased smile
brightening her whole face, Spock turns, dismisses her
presence with a cold disinterested glance -- Chapel
stops, stands dumbfounded. Spock gives McCoy a similar
glance - turns back to his console readings as:
UHURA
That's how we all feel, Mister...
The same cold glance causes Uhura to stop in mid-
sentence. Several grins directed toward Spock are now
fading from bridge crew faces. Spock has turned back
again for a last quick reading at the console and now
stands -- totally ignoring everyone else as he speaks
coolly, unemotionally to Kirk:
SPOCK
With your permission, I will now
discuss these fuel equations with
the Engineer.
Kirk manages a nod, a bit dumbfounded himself at Spock's
strange manner. Spock heads for the elevator -- puz-
zled expressions from the entire bridge crew. Then
Kirk calls after him, very sincerely:
KIRK
Mister Spock, welcome aboard!
Spock continues onto the elevator without any acknow-
ledgment, leaves. Kirk glances, perplexed, at McCoy.
McCoy, equally perplexed, shrugs.
McCOY
Never look a gift Vulcan in the
ears, Jim.
152 EXT. SPACE - THE ENTERPRISE (S) 152
traveling past the stars, sub-warp. OVER this:
KIRK (V.O.)
(buoyant)
Captain's Log. Stardate 7413.4.
Thanks to Mr. Spock's timely
arrival - and assistance...
153 INT. ENGINEERING - SPOCK AND SCOTT 153
Scott making an intermix chamber reading with a hand-
held timer-temperature device which emits SIGNALS while
Spock now in regulation uniform and hair trim, makes
adjustments in the circuitry of a panel complex. Dur-
ing the following, they will react as if they've solved
the engine problem.
KIRK (V.O.)
(continues)
... we have the engines rebalanced
into full warp capacity. Repair
time less than three hours...
154 INT. BRIDGE - ALL BRIDGE CREW EXCEPT SPOCK 154
Sulu at the helm, accelerating; just a touch of tense-
ness in crew as they move toward the speed which
earlier threw them into the "wormhole" effect.
KIRK (V.O.)
(continues)
... which means we will now be
able to intercept Intruder while
still more than a day from Earth.
155 ANGLE INCLUDING MAIN VIEWER (O) 155
Stars accelerating as Sulu calls off:
SULU
Warp point eight... point nine...
The viewer shows the QUANTUM LEAP into warp drive. The
stars ahead shift, streak and congeal into WARP EFFECT
MASS.
SULU
(continuing)
Warp one, sir.
The others wait, then show relief as:
SULU
(continuing)
Warp two, sir... warp three...
He continues to seven.
|
